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In the Name of God By Paula Jolin

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From School Library Journal
Grade 8 Up—In this believable depiction of the growth of religious zealotry, 17-year-old Nadia describes the period after her cousin's arrest by the Syrian secret police. Already committed to Islam, she moves toward fanaticism, actually seeking out an attractive man whom she hopes will help her to learn more about the revolutionary cause. Moderates in her family attempt to counter her extremism; this is not the kind of flirtation her mother expected of a teenage daughter, and the mother's quiet example of a different Muslim way is the most appealing part of this unsettling picture. Nadia's internal and external arguments provide a stark vision of how others see the U.S. Jolin effectively works in every negative impression, real or perceived, about America and its foreign policy. Beyond the usual stereotypes of American commercialism, there are comments on 9/11 and the war in Iraq, quotations from George Bush, and allegations of worldwide Jewish conspiracies. American readers may find that Nadia's change from an ambitious student to a suicide bomber comes a bit too quickly. But the author's Islamic studies and long residence in the Middle East help make this a convincing picture of life in present-day Damascus, and the suspense will keep readers engaged.—Kathleen Isaacs, Towson University, MD
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From Booklist
Set in contemporary Damascus, Jolin's debut novel is a groundbreaking story of a Syrian teen drawn into Islamic Fundamentalism. Seventeen-year-old Nadia is surrounded by devout Muslim family members, but it's her cousin Fowzi who becomes a role model for her increasingly hard-line religious and political views. Then Fowzi is arrested for speaking out against the government, and Nadia's urgency to carry her beliefs into action leads to her recruitment in a radical group. When she is asked to become a suicide bomber, she agrees. Jolin's novel is certainly provocative, but at times the story reads like a docu-novel: carefully inserted historical and cultural facts occasionally interrupt the narrative, and the characters' religious and political debates sometimes seem purposefully calibrated to show as may viewpoints as possible. However, there are very few novels for young people that give such a comprehensive sense of a contemporary Muslim Arab teen's daily life and concerns. Writing with compassion and sensitivity, Jolin shows the volatile mix of vulnerabilities, passions, anger, fear, yearning, and devotion that pulls Nadia toward her shocking choices, which culminate in a heart-stopping ending. In framing Nadia's questions about faith, Jolin creates an essential starting place for teens to examine their own views about Western culture, the Middle East, the division of church and state, terrorism, and how fear and hate, faith and love affect everything. Cathryn Clinton's A Stone in My Hand (2002) and Naomi Shihab Nye's 19 Varieties of Gazelle (2002) will continue the discussion. Gillian Engberg
Copyright © American Library Association. All rights reserved
Review
“The taut, suspenseful plot builds to a riveting climax. . . . Jolin does more than put a face on Middle East teens; she breathes life into each of her well-drawn characters and their complicated world. Nadia's story reminds us that some truths are best expressed by fiction.” ―Kirkus Reviews, Starred Review
“. . . a groundbreaking story . . . Writing with compassion and sensitivity, Jolin shows the volatile mix of vulnerabilities, passions, anger, fear, yearning and devotion that pulls Nadia toward her shocking choices, which culminate in a heart-stopping ending. . . . an essential starting place for teens to examine their own views about Western culture, the Middle East, the division of church and state, terrorism, and how fear and hate, faith and love affect everything.” ―Booklist, Boxed Review
“. . . a convincing picture of life in present-day Damascus, and the suspense will keep readers engaged.” ―School Library Journal
“Jolin's powerful and timely first novel transports readers to present-day Syria and explores how the hatred that young people feel towards Americans seem to fuel their willingness to become suicide bombers.” ―Publishers Weekly
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